Earth Matrix I
Last Chance! Peregrine Press at 25 Ends its 2 Month Run
“The Art of the Hand Pulled Print” has broken attendance records at the Portland Public Library. The variety and depth of the work of this amazing printmaking cooperative is worth a detour to the Library on Congress Street before it ends on June 25. I have been Co-President of Peregrine Press for the past 2 years, and still marvel at the talent and “working togetherness” that this group, the oldest of its kind, embodies. Bring your kids – there is a fun game they can play at the exhibit.
It’s February in Maine and the groundhog may have gone back to his den, but printmakers climbed out from all over the state for this invitational exhibit at Greenhut Gallery in Portland. Techniques from etching to woodcut to paper lithography (naming just a few), makes for a dynamic show. It runs through the month, and includes a printmaking talk and demo on February 20.
Above: I am standing next to my collagraph/ monoprint, “Ocean Gyre.” Our oceans appear timelessly pristine, but below the surface and throughout the feeding columns, small particles of man-made plastic are wreaking havoc with this vast ecosystem.
Below: Jeff Woodbury joins me- he had a striking screenprint in the show. Jeff and I are co- Presidents of Peregrine Press, Maine’s oldest cooperative nonprofit press. The Press is planning a 25 anniversary show May— to June—2016. Stay tuned!
Photos by David Wade, whose portraits of Maine artists just came down from the UNE Photography exhibit.
Rachel Carson left us a legacy of understanding about the interrelatedness of species on earth and the fragile web of life, under duress, since she first wrote “Silent Spring”. This article by Bob Keyes in the Maine Sunday Telegram (12/20/15) shows her influence on my life and my work. One thing I learned in making the sculpture over four years is the need for collaboration on a big project like this. Addressing the current crisis in global warming requires the same spirit of collaboration. My hope is that we will respond creatively and together make a difference. “Man is a part of nature”, said Carson, “and his war against nature is inevitably a war against himself.”
You can read the full article here: www.pressherald.com
photo © Hartford Courant
“The stunningly beautiful way in which art and science intersect”
These are the words Dennis Bisgaard, Kingswood-Oxford’s Head of School used to describe the sculpture that now inhabits the entrance of their new Science building.
I chose the double helix form to emphasize life in it’s myriad forms. Each turn of the steel and paper form reveals new creatures and colors as it moves and the viewer moves around the space. I wanted to encourage students to think about the interconnections between species and to be curious about how our ecosystems work in the web of life.
Art as a bridge to science, science informing art.
Please see the article about the sculpture in the Hartford Courant here www.courant.com/community/west-hartford/hc-west-hartford-kingswood-oxford-kate-chappell-art-1114-20151113-story.html
Kingswood Oxford School in West Hartford, CT threw open the doors of their beautiful L.E.E.D. Certified Science building on Friday, September 25 for the opening and dedication of my hanging sculpture, All Life Interrelated. As students sang a cappella or played the Wyvern Waltz on strings written for the occasion, school leaders welcomed the crowd, among them three of my five children, my husband Tom, classmates and friends. It was a mild and magical evening, and as night fell, lights from the big starfish support illuminated my three double helices “Air”, “Earth”, and “Water”. The steel and paper sculpture is 15′ x 5′ x 5′ (100lbs) and incorporates images on both sides of creatures from these realms, and reflects my concern for the care of the natural world. My hope is that the piece will be a bridge between art and science, and generate lots of teaching opportunities at this rigorous private day school. Years ago as a student myself there, I had written about the discovery of DNA’s structure. For me, it felt like coming full circle after working on this piece for the last four years.
My Open Studio to Celebrate All Life Interrelated
Maine artists, friends and families gathered at my studio on the 3rd floor of the Dana Warp Mill in Westbrook June 25 for a farewell look at the hanging sculpture I have been working on for the last four years. Inspired by the double helix as a symbol of the continuity of life, All Life Interrelated is a steel and paper sculpture (approximately 14′x 5′ overall), now safely installed in its permanent home in the new science building at Kingswood Oxford School in West Hartford, Ct.
Many people who helped me with the project were there to celebrate: Nelson Bruns, who constructed one of the steel armatures and the starfish holder, and did the final hanging; Laura Savard, who helped with many aspects of the fabrication including the hand-cut matrices based on slime mold that are a motif throughout; Dawna Bemis, our prudent project manager and keeper of the timeline, and Sharmon Toner, my intern from USM who did all the UV varnishing.
Thanks to son Matt and friend Wendy for delicious nibbles from his restaurant, Gather ; and Vena’s Fizz House for delightfully composed natural mock-tails and cocktails. Among those attending were art friends from Peregrine Press and Kennebunk, daughters Eliza Chappell and Sarah Armentrout, with husband Nick, Gabrielle Melchionda from MadGabs and other neighbors in the building, Jan Piribeck and Becky Goodale from USM, Amy Woodhouse from South Freeport, Beth Stoddard, Peter and Pam Plumb, Scott Teas and Pamela Hawkes and Alice Spencer from Portland, Mary Jewel from California, Michael and Leona Bruns, and many others. Thank you all for coming and supporting me along the way!
Photos above from left to right: Starfish; Nelson on the Genie; Three Armatures
Installed at Last
Four years in the making, my hanging sculpture, All Life Interrelated, is now happily installed in its new home, the foyer of the Chase-Tallwood Math Science and Technology building at the Kingswood Oxford School in West Hartford, CT. It hangs from the tall ceiling down through a mezzanine floor to the entrance below. When I first saw this stunning new L.E.E.D. Certified building, I was impressed by the lightness of the space and the quiet lines, and was excited to design a sculpture that would relate to the big natural landscape and views of the sky while reflecting the biology of small life and the continuity implied by the DNA structure. I did a lot of research into the science of slime molds, foraminifera, and phytoplankton. I read avidly about the connection between the Red Knot bird (longest migrating bird in the world) and the horseshoe crab that lays the eggs which give the shore bird sustenance on its long flights. All these references to interdependence found their way into my printmaking and construction for this piece. I like the idea of bringing science and art together, and my work reflects my concern for humankind’s depredations on fragile ecosystems. I hope that the students in the school will see creatures in my work that engage them and become platforms for learning that ”what we do to the earth we do to ourselves.”
Photos above from left to right: Nelson and Kate take a breather on the mezzanine; Overview from above with ladders; Detail of “tuxedo” frog that Kate made on site for the “earth” crossbars.
All Life Interrelated
I am in the home stretch of making a public installation for the science building of Kingswood Oxford school in W. Hartford CT. It is a first for me, and I wanted to share it with friends in Maine before it goes to its permanent home. “All Life Interrelated” (taken from a Rachel Carson quote) is a hanging mobile sculpture, comprised of steel and paper double helices, 12′, 8′ and 6′. Two-sided monoprinted images form a paper “skin” that runs up each side of the “DNA” armatures. They reflect the interconnectedness of creatures of the sea, air and earth to their environments and to each other.
Concern for the environment has been a theme in my life and work. As Rachel Carson pointed out, “man’s endeavors to control nature by his powers to alter and destroy the world, inevitably evolve into a war against himself…”
Below are photos of the installation in process;
Top row from left to right: Crosspieces drying in studio. The runes are a code ( like DNA)- they spell out the Rachel Carson quote: “all the life of the planet is interrelated…each species has its own ties to others, and all are related to the earth; and test hanging in the science building in April. We had only 2 of the 3 armatures and used a 12′ rule as a placeholder for the long “sky/air” armature.
Bottom row: The earth armature with part of “sea” in foreground; and assembling the test armature on site.
How I Used Poetry and Art to Foster Creativity in business.
I will be speaking at Poets House in New York on a panel which explores the way poetry and art can be mined to enhance creativity and innovation in business. This panel is sponsored by the Harvard Business School Club of New York. Poets House is in an elegant LEED certified building at the tip of Manhattan that houses the country’s largest collection of poetry and sponsors readings, exhibits and events that bring poetry to the people. Check it out!
For more information:
about the event: http://www.hbscny.org; and/or
about Poets House: http://poetshouse.org/.