Photos above from left to right: Starfish; Nelson on the Genie; Three Armatures
Installed at Last
Four years in the making, my hanging sculpture, All Life Interrelated, is now happily installed in its new home, the foyer of the Chase-Tallwood Math Science and Technology building at the Kingswood Oxford School in West Hartford, CT. It hangs from the tall ceiling down through a mezzanine floor to the entrance below. When I first saw this stunning new L.E.E.D. Certified building, I was impressed by the lightness of the space and the quiet lines, and was excited to design a sculpture that would relate to the big natural landscape and views of the sky while reflecting the biology of small life and the continuity implied by the DNA structure. I did a lot of research into the science of slime molds, foraminifera, and phytoplankton. I read avidly about the connection between the Red Knot bird (longest migrating bird in the world) and the horseshoe crab that lays the eggs which give the shore bird sustenance on its long flights. All these references to interdependence found their way into my printmaking and construction for this piece. I like the idea of bringing science and art together, and my work reflects my concern for humankind’s depredations on fragile ecosystems. I hope that the students in the school will see creatures in my work that engage them and become platforms for learning that ”what we do to the earth we do to ourselves.”
Photos above from left to right: Nelson and Kate take a breather on the mezzanine; Overview from above with ladders; Detail of “tuxedo” frog that Kate made on site for the “earth” crossbars.
All Life Interrelated
I am in the home stretch of making a public installation for the science building of Kingswood Oxford school in W. Hartford CT. It is a first for me, and I wanted to share it with friends in Maine before it goes to its permanent home. “All Life Interrelated” (taken from a Rachel Carson quote) is a hanging mobile sculpture, comprised of steel and paper double helices, 12′, 8′ and 6′. Two-sided monoprinted images form a paper “skin” that runs up each side of the “DNA” armatures. They reflect the interconnectedness of creatures of the sea, air and earth to their environments and to each other.
Concern for the environment has been a theme in my life and work. As Rachel Carson pointed out, “man’s endeavors to control nature by his powers to alter and destroy the world, inevitably evolve into a war against himself…”
Below are photos of the installation in process;
Top row from left to right: Crosspieces drying in studio. The runes are a code ( like DNA)- they spell out the Rachel Carson quote: “all the life of the planet is interrelated…each species has its own ties to others, and all are related to the earth; and test hanging in the science building in April. We had only 2 of the 3 armatures and used a 12′ rule as a placeholder for the long “sky/air” armature.
Bottom row: The earth armature with part of “sea” in foreground; and assembling the test armature on site.
How I Used Poetry and Art to Foster Creativity in business.
I will be speaking at Poets House in New York on a panel which explores the way poetry and art can be mined to enhance creativity and innovation in business. This panel is sponsored by the Harvard Business School Club of New York. Poets House is in an elegant LEED certified building at the tip of Manhattan that houses the country’s largest collection of poetry and sponsors readings, exhibits and events that bring poetry to the people. Check it out!
For more information:
about the event: http://www.hbscny.org; and/or
about Poets House: http://poetshouse.org/.
Movie night at the Portland Museum of Art
This is a movie about my artists friends on Monhegan, the women who have mentored me. We have shown together on and off the island over the years since I joined WAMI in the early 90′s. Sadly, six have died since then, two this year: Frances Kornbluth and Elena Jahn. This film is a testament to the “art spirit” (as Robert Henri called it) alive and well in these indomitable women.
The Portland Museum of Art will be showing the movie on Thursday January 8 at 6:30 PM. The doors open at 6, film starts at 6:30, and lasts a little over one hour. A discussion with Mike Boucher, the filmmaker, Carl Little, author, and me will follow the screening.
The DVD will be for sale both in the PMA gift shop, and on-line via PayPal through Sonic Pictures: www.sonicpictures.com
A Star for Eszti
Over the holidays, my California girl—granddaughter Eszter—made monoprints with me. Without a press or inks, we used what was at hand: cardboard, heavy paper, scissors, glue sticks, poster paint and a wooden spoon- what I call “Kitchen Printmaking.”
Eszti’s repeating matrix was an 8- pointed star- her name in Hungarian means “star.” And a beautiful image it is, in all its variation, for the epiphany of new insights in a new year.
You don’t get to ” go home again” too often, but I had the pleasure and privilege of teaching printmaking at the Kingswood-Oxford School in West Hartford Ct. recently, a school where my first art teacher befriended and encouraged me. Returning to amazing new facilities, and working with their gifted teacher and printmaker, Katherine Nicholson, I taught Middle and High School students, the age I was back then. It brought me full circle. We had a furiously creative 3 days making collagraph and intaglio plates, and printing some of the stunning results you see here. It meant a lot to me to be able to pass on my knowledge of nontoxic and creative printing techniques to bright, inquisitive students at the school that educated me. Give and take, risking the new, welcoming the surprise of the printmaking process- all good!
Grandson Jake Armentrout shows off the foam core intaglio print he made in my studio. He agreed to be my “stand-in” for the class of Middle schoolers I taught at Kingswood Oxford School as part of a short residency in printmaking there in November.
This low tech non- toxic intaglio technique uses recycled foam core board for plates and Akua (water soluble) inks. Peeling away sections of the shiny paper outside layer create areas of dark plate tone while the remaining shiny part (incised or marked on) can be wiped for etching effects.
It’s quick, fun, and easy to clean up. The plates can be used multiple times, and in combination with a paper template of the positive/ negative shapes that can be used to mask or reveal areas of color on layered subsequent pulls.
Here is some information about a show that I have some work in that features art and poetry related to the sea. I hope you can join me for the opening reception at USM’s Atrium Gallery at their Lewiston Gallery on Thursday Sept 18th from 5-7. For more information or go to the gallery’s website http://usm.maine.edu/atriumgallery. The show will be up through November 22nd.
Secrets of the Sea
September 18 – November 22, 2014
“Go Inside the Stone V “- partial views. Paper, mylar, monotype and acrylic on gesso treated paper. 2014.
This last week of June has been full with prep work for the two summer group shows I am part of: a collage show in Portland (opened 6/26) and a Monhegan show in Rockland. By far the most challenging has been the installation in Archipelago’s Main Street, Rockland gallery window. My brother helped me build a narrow shelf to add to the sill so “Go Inside the Stone” could wrap around the central post dividing the two large windows. You can see from outside and inside the new creatures (baby squid) and hand printed strips and stones. The curved surfaces reflect them in amazing ways as the light bounces and shimmers.
Best response while I was working (literally in a fish bowl)- thumbs up from a young girl of about 9 in other side of glass. The show lasts all summer. A second installation inside features starfish (with arms spelling out the word for DDT) stones and printed paper undulating strips. And lots of great Monhegan 2-D work from other artists! Hope you can stop by and see on your way to or from Downeast Maine.
Show runs through August 31.
Making a New Whole: The Art of Collage
It’s been a cold spring in Maine but we are so glad to see green. Amsonia and white iris are blooming in my garden and the gold finches crowd at my feeder four at a time. Spring peepers have ceased their song, but not before some mighty night choruses filled the air. Despite these familiar signs of nature I have been thinking about other signs of the warming effect of so much human activity on our planet: rising seas, floods, tornadoes and droughts. I have been making new collages that reflect that concern. One is calledThe Fragile Web: Thaw (image, above left) and will be part of a show at UNE Art Gallery Making a New Whole: The Art of Collage. The show runs from June 26 through Sept 28. Please join me for the opening June 26 from 6:00-8:00pm. The gallery is located on the University’s Portland Campus at 716 Stevens Ave. Their hours are Wed., Fri.-Sun. 1:00pm-4:00pm and Thurs 1:00-7:00pm. You can contact the gallery at at (207) 221-4499 or check out their website at this link http://www.une.edu/artgallery
Two more relate to the changing oceans, Deep Memory I & II harking to a time before ocean acidification affected the shell formation of tiny foraminifera, melting the shells that protect these vital creatures. (Images above, center and right respectively) I incorporated rusted fragments in the design.
Mast Cove Gallery: Each Body a Lion of Courage
Each Body a Lion of Courage is Jean Briggs’ choice for the summer opening of her Mast Cove Gallery, June 7th. I have been showing with Jean for over 25 years and her gallery in the heart of Kennebunkport is a fine mix of artists from within and outside of Maine. http://www.mastcove.com She received an American Art Award for 2014 as the Best Gallery in Maine, Congratulations, Jean!
Monhegan: The Unfailing Muse
Monhegan Island celebrates 400 years this summer, with art, poetry, music and dancing. Beside shows on the island I will be part of an exhibit, Monhegan: The Unfailing Muse at Archipeleago Gallery in Rockland. Look for two site specific installations of “Go Inside the Stone” plus some work on the wall amongst many wonderful fellow artists from the island. http://www.thearchipelago.net
My Monhegan studio hours are Thursdays in August 10:00am-3:00pm. On July 31st I will be giving a talk on Ecology and Art to benefit M.A.R.C., which has supported emerging Maine artists for over 30 years with summer residencies on the island. Women Artists of Monhegan, the film I helped produce over two summers, will air on PBS July 17 and 19 and will be available on DVD for sale at the Lupine gallery and my studio, along with our new book of Island Poetry, Island Voices II.