Tumblestar Sculpture at the Wells Reserve at Laudholm
My first outdoor steel sculpture is on view in POWER OF PLACE: Wells Reserve at Laudholm, curated by June LaCombe. I am honored to join 27 other artists, whose sculptures in granite, steel, marble and bronze appear in the landscape of this historic saltwater farm in Wells, Maine. Mine is one of over 60 pieces sited among rolling hills, open fields and woodland trails. The sea is within sight and sound of the farm, now home to a NOAA marine research facility. The estuary and beach are reached by beautiful paths, along which the sculpture is encountered. A program with titles and numbers guides the viewer along, and the site is accessible in daylight hours.
TumbleStar is a three part steel installation of large sea star shapes (5.5’, 4’ and 3’ across), hand-painted and printed in color. It invokes our relationship with the heavens, for we are made of the same substance as the stars; and with the earth, for we are all related to the creatures that share it with us. Rachel Carson said it best: “all the life of the planet is interrelated.” In my life, Rachel Carson has been a source of inspiration to make art that celebrates nature and raises concern for its depredation, especially through pesticide abuse that continues today. The calligraphic element of the design in the three stars spells out the word for DDT, yet the matrix design embraces each one in a continuously linked relationship.
FMI (admission, hours, events and directions): www.wellsreserve.org
Open: Memorial Day weekend – October 16, 2017.
Opening Reception: Wednesday June 7th, 4:30-6:30.
Artword at the Portland Museum of Art is an event based on the ancient practice of writing poetry in response to visual art. An ekphrastic poem offers the reader insight into visual artwork that the eye might not see. April 14th I will join other poets in sharing a written interpretation of a piece of visual artwork that is currently on display and part of the permanent collection at the PMA. My poem is inspired by the piece At Cassis, painted by my cousin Russell Cheney (see below).
I was born the year he died, and I grew up next to his studio. Although I never knew him, his art inspired me to follow in the family tradition. The last stanza of my poem reflects that connection:
Your backs are turned from
the water view. You look directly
at me, as if to say,
I see you there
as you see me:
through a brush lightly,
across a century.
—Kate Cheney Chappell
Art Cassis, 1930, oil on canvas
Russell Cheney (1881-1945); Portland Museum of Art
For more information on this event: portlandmuseum.org/events
Winter Solstice: Let Your Inner Light Shine Out
At this turning point of the year I like to imagine my inner light getting stronger as the days get longer. We can be the light to each other in dark times. There are many ways, many mediums through which our spirits shine. Art is one. May you enjoy peace and love this season, and let your particular light shine as a beacon.
Below are some links to other lights I have shown (shone) with:
Monhegan December shows
Annie Hidell hosted 6 Monhegan artists in Kennebunkport to benefit a number of charitable causes.
Carlisle Charitable Foundation
Voices from the Heart
Monhegan Museum of Art & History
Graves Library, Kennebunkport
Ramblers Way new store opening in Hanover, N.H.
Our company has a beautiful line of fine clothing, ethically made for men and women in America. Our daughter Eliza is the women’s designer and has designed the stores as well. We were warmly welcomed by the Hanover community this week.
I am the current featured artist for Barbara Stroud’s ArtFoodHome blog.
Left: Kate engages museum goers in the art books of Henri Matisse. Right: USM Center for Book Arts director, Becky Goodale, expounds on artist books in a panel discussion at the Portland Museum that Kate helped organize.
Music for the Eyes: Matisse’s Artist Books
I was excited when Portland Museum of Art asked me to give a gallery walk/talk at their current exhibit (through Dec. 31, 2016): The Art Books of Henri Matisse. Rhythm, color, poetry – all music for the eyes – dance around the space. From the story of Pasiphae, mother of the Minotaur (mythological half-man half-bull) to poems of Charles d’Orléans and Stephane Mallarmé, to Matisse’s tour de force: Jazz, this show brought me back to my youth.
I studied poetry, painting and printmaking in Paris as a student. All the text in these artist books is in French, of course, so I translated. What a gift to me to realize the meaning of Matisse’s words, coupled with his exuberant circus-inspired images in Jazz. I always loved Matisse’s colorful cutouts. And have been inspired by his approach to pochoir printmaking and collage. Now he has spoken to me in his own handwritten words, reminding me that happiness comes from a ‘bonne journée de travail’ (a good day’s work), to pay attention to the process and the journey (vs. “success”) and, above all, to make art from love, not hate.
Young painters, painters misunderstood, or understood too late, bear no hate. Hate is an all-devouring parasite. One creates not in hate, but in love. Competition is necessary, but hate…love on the other hand sustains the artist.
HAPPINESS. Derive happiness in oneself from a good day’s work, from illuminating the fog that surrounds us.
Happy are those who sing with all their hearts, from the bottoms of their hearts. To find joy in the sky, the trees, the flowers. There are always flowers for those who want to see them.
…for most people: success= prison, and an artist should never be a prisoner. Prisoner? An artist should never be: prisoner of himself, prisoner of a style, prisoner of a reputation, prisoner of success, etc.
translated by Sophie Hawkes
Earth Matrix I
Last Chance! Peregrine Press at 25 Ends its 2 Month Run
“The Art of the Hand Pulled Print” has broken attendance records at the Portland Public Library. The variety and depth of the work of this amazing printmaking cooperative is worth a detour to the Library on Congress Street before it ends on June 25. I have been Co-President of Peregrine Press for the past 2 years, and still marvel at the talent and “working togetherness” that this group, the oldest of its kind, embodies. Bring your kids – there is a fun game they can play at the exhibit.
It’s February in Maine and the groundhog may have gone back to his den, but printmakers climbed out from all over the state for this invitational exhibit at Greenhut Gallery in Portland. Techniques from etching to woodcut to paper lithography (naming just a few), makes for a dynamic show. It runs through the month, and includes a printmaking talk and demo on February 20.
Above: I am standing next to my collagraph/ monoprint, “Ocean Gyre.” Our oceans appear timelessly pristine, but below the surface and throughout the feeding columns, small particles of man-made plastic are wreaking havoc with this vast ecosystem.
Below: Jeff Woodbury joins me- he had a striking screenprint in the show. Jeff and I are co- Presidents of Peregrine Press, Maine’s oldest cooperative nonprofit press. The Press is planning a 25 anniversary show May— to June—2016. Stay tuned!
Photos by David Wade, whose portraits of Maine artists just came down from the UNE Photography exhibit.
Rachel Carson left us a legacy of understanding about the interrelatedness of species on earth and the fragile web of life, under duress, since she first wrote “Silent Spring”. This article by Bob Keyes in the Maine Sunday Telegram (12/20/15) shows her influence on my life and my work. One thing I learned in making the sculpture over four years is the need for collaboration on a big project like this. Addressing the current crisis in global warming requires the same spirit of collaboration. My hope is that we will respond creatively and together make a difference. “Man is a part of nature”, said Carson, “and his war against nature is inevitably a war against himself.”
You can read the full article here: www.pressherald.com
photo © Hartford Courant
“The stunningly beautiful way in which art and science intersect”
These are the words Dennis Bisgaard, Kingswood-Oxford’s Head of School used to describe the sculpture that now inhabits the entrance of their new Science building.
I chose the double helix form to emphasize life in it’s myriad forms. Each turn of the steel and paper form reveals new creatures and colors as it moves and the viewer moves around the space. I wanted to encourage students to think about the interconnections between species and to be curious about how our ecosystems work in the web of life.
Art as a bridge to science, science informing art.
Please see the article about the sculpture in the Hartford Courant here www.courant.com/community/west-hartford/hc-west-hartford-kingswood-oxford-kate-chappell-art-1114-20151113-story.html
Kingswood Oxford School in West Hartford, CT threw open the doors of their beautiful L.E.E.D. Certified Science building on Friday, September 25 for the opening and dedication of my hanging sculpture, All Life Interrelated. As students sang a cappella or played the Wyvern Waltz on strings written for the occasion, school leaders welcomed the crowd, among them three of my five children, my husband Tom, classmates and friends. It was a mild and magical evening, and as night fell, lights from the big starfish support illuminated my three double helices “Air”, “Earth”, and “Water”. The steel and paper sculpture is 15′ x 5′ x 5′ (100lbs) and incorporates images on both sides of creatures from these realms, and reflects my concern for the care of the natural world. My hope is that the piece will be a bridge between art and science, and generate lots of teaching opportunities at this rigorous private day school. Years ago as a student myself there, I had written about the discovery of DNA’s structure. For me, it felt like coming full circle after working on this piece for the last four years.